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9-06-2007
Mail from across the border
Jim Atwell
I don't get a whole lot of fan
letters for my book, but last
year a whole stack of them arrived
- and all from Canadian
readers. Each writer had taken
time to pen a kind of thankyou
note for "From Fly Creek,"
and each named parts of the
book especially enjoyed. Each
briefly described himself or
herself, and each expressed
hopes for another book of columns.
I was, of course, bedazzled.
My delight wasn't dimmed
just because the letters were a
school assignment, overseen
by Anne's cousin Mary-Ellen
Walsh. Mary-Ellen, a bright,
witty, and creative woman,
teaches nine-to-eleven-yearolds
up in Erin, Ontario. She
had combined reading chapters
from the book with a required
letter-writing assignment,
and I was the
beneficiary.
Working against a model
for appropriate contents,
Mary-Ellen had her charges
produce, first a rough draft,
then an edited version, then
what Shakespeare would have
called the "faire copie." The
younger kids printed, and the
older ones used a sometimes
tortured cursive.
I loved reading the letters,
and looking at the accompanying
pictures, too. For Mary-Ellen,
had also wangled an art
assignment into the package; I
got wonderfully colorful paintings
of barns, farmyards, and
grinning pigs that make me
laugh out loud every time I
look at them.
Of course, the first time I
read the letters, I knew I had
to share them with you. And
so, below are some excerpts.
Mary-Ellen said that "This
was the first letter they had
ever written (except to Santa),
and the lesson was about the
components of a friendly letter."
She added that, "Any
story that mentions ‘poop' is a
great hit with this age group,
so the ‘Two Sheep Tales' was a
universal favourite."
This was confirmed by the
number of students who cited
Tom Deason's helping me bind
the new lambs' tails and ending
up plastered with the very
poop the kids so love.
As the book has it (surely
by now you've bought and read
it!), Tom had kindly followed
me to the sheep shed to help
put a heavy elastic band on
each lamb's tail. The process
was simple:
"I'll hold the lamb under
my left arm, Tom, with the pliers
in my right hand. You
straighten the tail, and I'll
slide on the pliers. Then you
slide the band off the prongs,
onto the tail."
It all went well till the last
lamb. As the book says, "I
guess that sudden tightening
on its tail just made other
parts go slack. For an instant,
though, I felt I was cradling a
blunderbuss. And Tom, intent
on his job, was right in the line
of fire."
I'm still embarrassed to remember
the effect produced on
that kind man. But Mary-Ellen's
kids thought it was hilarious.
Courtney Park wrote
that her favorite part was
"when you had to remove the
lamb's tail with an elastic and
it turned into a machine gun."
She then added an arresting
detail of her own: "My dog
chews its tail and he ate one
inch of it." Illustrating her letter
was a drawing of a bright
sun beaming down on a pen
holding a smiling, tailless
lamb. Or perhaps dog.
I am, by the way, treating
you to the often imaginative
spelling that survived all the
editing and revising. Probably
at some point, Mary-Ellen decided
it was too colorful to correct,
and that I'd enjoy it. Indeed
I did.
Christopher McDonald
wrote to me, he said, "because
I wread your book and I
thought it was really funny ...
when the lamb turned into a
machine gun." I presume
Mary-Ellen, reading to the
kids, substituted "machine
gun" for "blunderbuss."
It was an apt substitute,
and so effective that Shane (no
last name) illustrated his letter
with a stick-figure me holding
a bulbous sheep and, close
by, a weakly smiling Tom Deason
in orange shirt and green
pants. Tom, arms thrown up,
is being spattered by the sheep
and, according to the balloon
over his head, is shouting
"ono!"
Christopher McDonald's
drawing suggests, I think, a
future in drafting. His red
barn and brown fence were
carefully scribed with a ruler,
and arrows and labels identify
the major elements: "sun,"
"barn," and "electrick fenc."
Beyond the "fenc" is a beige
pig studying a dead bird. Still
another chapter illustrated.
Anne, by the way, loves the
color and spontaneity of the
kids' work, and it's going to be
tough sledding, getting her to
illustrate the next book. She'll
just want to ship the manuscript
off to Erin, Ontario.
Young Wyatt Roberts set a
friendly tone in his letter by
saying that "I am like you, because
once I made a collection
of books from scrap paper,
construction paper, and newpaper."
He did add that "some
differences between you and I
are, I play hockey, I'm in gr. 4,
and you are an author." (Wish
I could play hockey, Wyatt;
and being in grade four sounds
just fine.)
Only one slightly negative
note appeared in the whole
stack of letters. Justyne, who,
like Madonna, must feel that a
one-word name, sufficiently
dramatic, is all that's needed,
said my book turned her away
from a life's ambition. "I have
always wanted to live on a
farm but now that I'v seen how
much work it is now I don't.
Hopefully I don't ever have to
live on a farm."
But for candor, it's hard to
beat Eric Kirk: "Most of your
stories are funny but some
wern't so funny but still a bit."
Then, for fear of offending, he
added, "I espesally liked your
book. sincerly, Eric."
What a treat, getting some
sense of these wonderful kids!
I'd love to meet Brandon Collins,
who explained that "my
favourite thing is dirte bikeing
and my favourite food is Kraft
dinner."
And how about matter-offact
Sarah Humphries? She
announced, "I am ten years
old, about 1.5 meters tall, dirty
blond hair, I am in grade 5,
and I am a girl." Then she added,
"I really liked your book ...
and I hope that you make
anouther book."
I think I'd better make
anouther one, Sarah, if only
for you. Meanwhile, I'm going
to display Joshua Clarke-
Wall's farm panorama, with
barns, fields, and tractor; and,
in the foreground, two roundeyed,
smiling pink pigs. It really
deserves gallery space,
but our fridge door will have to
do.
Read about Jim Atwell's
new book "From Fly Creek -
Celebrating Life in Leatherstocking
Country" at Jim Atwell.
com.
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